How did Kiwi kids handle the lockdown? Did they breathe a sigh of relief for not having to go to school? Did they take refuge in social media as whole communities vanished from cities and country roads alike, in the most punishing of categories – Level 4?
Posts by Geoff Lealand
Like many other New Zealanders of my age, I was weaned on innumerable cinema and television versions of American high school experiences; films such as Grease, Fame, Mean Girls, Donnie Darko, and TV programmes such as Freaks and Geeks, Happy Days, Beverly Hills 90210 and Room 222. There is also a long-established sub-genre in the school reunion movie, with films like Romy and Michele’s High School Reunion, Peggy Sue Got Married, Grosse Point Blank and Class Reunion spinning tales of rekindled lusts, long delayed revenge enacted, and various levels of disappointment.
First I must declare that I’m involved with Better Public Media, so it is very apparent what I want from television in New Zealand.
But I also want more for other sectors of the media, for I have drifted away from mainstream (linear, scheduled) television and have joined the Netflix generation. When I drift back to Television New Zealand or TV3, these channels seem like foreign places, where narratives are jarringly interrupted by extended breaks of increasingly banal adverts.
I watched a little of the television coverage of the 2019 Academy Awards and briefly scanned the online updates from sources such as Variety and Indiewire., The was one bright moment in Olivia Coleman’s acceptance speech and the US audience ratings appeared to reverse last year’s slump, but it wasn’t essential viewing. It hasn’t been so for the past decade or more.