Outside it’s sunny, a hot, muggy Auckland day. A plump Tui swings on the untidy flax bush by the bedroom’s open window; slothful clouds drift past in a china-blue sky. But inside the bedroom it’s cold, chilly enough to raise goose-pimples. Despite the golden light outside, the room is shadowy, its corners dim and blurry.
Category archive: NZ History
It took the devastating Australian bushfires to bring home to the country’s politicians that perhaps, maybe, they had to update their thinking on climate change. Perhaps, because that thinking remains dominated by an ideology which increasingly looks untethered to present day realities. Below are some of those realities:
Watching television was now beginning to be ingrained in the 60’s household social routine not entirely due to the magnetism of Ena Sharples and the Coronation Street’s Rover’s Return!
Waiting in the wings was Networking, the move of News to Auckland, the advent of colour and the famous Philips K9 TV set and TV2’s first Telethon.
In South Auckland’s Ihumatao, a peaceful group of Maori activists continues the campaign it began in 2015. Their aim? To stop Fletchers building 480 homes on what they believe is sacred land.
And a few miles away in the leafy suburb of Mt Albert early last month, middle-class Pakeha began their protest.
Like many other New Zealanders of my age, I was weaned on innumerable cinema and television versions of American high school experiences; films such as Grease, Fame, Mean Girls, Donnie Darko, and TV programmes such as Freaks and Geeks, Happy Days, Beverly Hills 90210 and Room 222. There is also a long-established sub-genre in the school reunion movie, with films like Romy and Michele’s High School Reunion, Peggy Sue Got Married, Grosse Point Blank and Class Reunion spinning tales of rekindled lusts, long delayed revenge enacted, and various levels of disappointment.
The early television days were staffed by competent, experienced staff with mainly radio experience coping with second hand BBC equipment in small make shift studios with tape, lighting and telecine (film) operators in cramped uncomfortable cupboards/offices. Staff like Barry Warner, Colin Harrison, Geoff Eady, Robyn Petrie, Ian Hill, Stuart Murray and Russ Lambert and Bob Smith. We owe them so much.